Art & Beauty

Infrastructure of a migratory bird

Technology and autonomy in more-than-human networks
What does it take to create a "wild animal"? While one might think "wildness" implies the absence of humans, in the age of the anthropocene and rapid climate change, the opposite is the case. It requires the development of an extensive, more-than-human-infrastructure. Our talk is based on artistic research into the ongoing rewilding project of the Northern bald ibis (Waldrapp), a large migratory bird, that has become extinct north of the alps in 1621 and are being released into the wild since 2013. The output of this research was rendered into a website which serves as a departure point of our talk.
We outline the heterogeneous elements that make up the infrastructure of the rewilding project and what kind of situations are being produced therein. The graph of "the infrastructure of a migratoy bird" shows relationships between social, technological, informational, and ecological elements which make up the anthropogenic ecosystem in which the bird is becoming wild again. The objective was to visualise and comprehend the intricate network of data, energy resources, and dependencies deeply enmeshed within the project's framework. We will also focus on the types of data being produced and to what extent "acting" within this framework is informed to observation of movement data. One can trace the flow of information, observe how data is generated, processed and ultimately mediated. As a migratory bird that travels between 1600 and 4600km per year (from summer to winter habitats and back) this project could not be realized without intensive use of technology. This falls into two categories: assisted migration and location/movement tracking. As a social species, the birds have an instinct to migrate, but the concrete migration routes and destinations are socially learned. With the extinction, this social knowledge became extinct as well. This is a challenge and an opportunity for the project. On the one hand, the birds need to be trained the unnatural behaviour of following a light airplane, on the other hand, humans can guide them to specific areas where socio-environmental conditions are suitable for habitation. Currently, close to 85% of the more than 200 surviving rewilded birds are wearing a GPS/GSM tracker that enables near real-time monitoring of locations and movements. This data is used for monitoring the birds for signs of distress (injury, problems along the route, death etc), and for feeding an app (Animaltracker) that allows the interested public to track the birds and, to a limited degree, for behavioural research. From this, a different notion of wilderness emerges. Here it denotes not the separation from human culture, but a degree of freedom and autonomy in making decisions. Technology, the real-time tracking and social media coverage, serves as a way to increase the autonomy of the bird, supporting them to survive outside captivity, yet within densely populated, deeply cultured environments. Technology's main purpose here is not surveillance but care, both directly by enabling biologists to help struggling animals in the wild, but also indirectly, by supporting a deeper, affective relationship of the population towards wild animals which are no longer anonymous, but known by name, each with its distinct history and personal character.

Additional information

Live Stream https://streaming.media.ccc.de/37c3/zuse
Type lecture
Language English

More sessions

12/27/23
Art & Beauty
Saal Zuse
Wir machen Sound Grafitti mit Echokammern, produzieren Protest-Jingles und Sprachwerkstätten. Mit diesem Beitrag möchten wir euch zwei Vorgehensweisen zu dieser Art von „Protest mit Sound als Audio Intervention" vorstellen, sowie die künstlerischen, kreativ-technischen Prozesse näher bringen und euch einladen, diese kritisch zu beäugen und zu hören, sich unserer Ideen und Verfahren zu ermächtigen und die dargestellten Formen und Ansätze nach eurem Belieben weiterzuentwickeln und ...
12/27/23
Art & Beauty
Paglen (he/him)
Saal 1
How the history of military and government PSYOPS involving mind-control, UFOs, magic, and remote-control zombies, explains the future of AI and generative media. Along the way, talk attendees will be given an enrollment code to join a specialized CTF/ARG game called CYCLOPS that explores these themes and that will run the duration of Congress.
12/27/23
Art & Beauty
Saal Zuse
OPENCOIL and the fine art of appropriating micro-mobility services for fun and debate.
12/27/23
Art & Beauty
Scott Beibin
Saal Zuse
Date/Time: 27 December 2023 - Wednesday @ 21:10 CET +++ Simulating the Acoustics of Mars for a Concert of Martian Music by Scott Beibin (aka Ptelepathetique) +++ During Mission 286 in November 2023 at the Mars Desert Research Station (MDRS), Analog Astronaut and crew artist Scott Beibin performed several concerts of original live musical compositions during a two week immersive astronaut training. +++ The concerts were played through a custom audio filter based on data gathered by the NASA Mars ...
12/28/23
Art & Beauty
Robert Seidel
Saal Zuse
Exploring the transfer of Seidel's experimental films into physical spaces reveals challenges that are intensifying with advances in machine learning, dissolving the lines between original and imitation. In this more or less silent restructuring of society, artists become templates for a digitally assembled future, challenging traditional hierarchies as history collapses into the present.
12/28/23
Art & Beauty
LordSpreadpointAmiga
Saal 1
The demoscene is an underground computer art culture. The Speaker is a member of the Demoscene since the 1980ies and gives insights how it is now and how it was back in the days and how you can participate!
12/28/23
Art & Beauty
Torsten Roeder
Saal Zuse
Diskettenmagazine waren frühe elektronische Multimedia-Journale der 1980er und 1990er Jahre, die auf Diskette verbreitet wurden und nur auf den jeweils passenden Geräten benutzbar waren. Bibliotheken und Archive haben diese sogenannten „Diskmags" damals nicht berücksichtigt, mittlerweile stellen die ca. 2.500 Magazine aber eine wertvolle Quelle für die Forschung und die Diskmags-Communities dar. Das vorgestellte Projekt baut einen Katalog auf und macht Texte durchsuchbar.