Art & Culture
Deconstructing a Socialist Lawnmower
Obsolete Technologies + Critical Material Studies in Media Art
Darsha Hewitt is a Canadian artist working in new media and sound. She is known for her examinations of communication technology in the domestic sphere and her use of DIY aesthetics and practices as an artistic method. She makes electromechanical sound installations, drawings, audio-visual works, how-to videos and experimental performances with handmade electronics. Through deconstruction and experimentation with failed and obsolete technology, her work demystifies hidden systems within machines as a way to trace-out structures of economy, power and control embedded throughout capitalist culture.
Alongside her artistic practice, Darsha is presently a fellow at the Berlin Centre for Advanced Studies in Arts and Sciences (BAS) in the Graduate School at the Art University of Berlin and a Guest Professor in New Media and Sound Art at the Karlsruhe University of Art and Design. From 2015-16 she shared a joint guest professorship in New Media with Aram Bartholl at the Art University of Kassel. She is also a Lecturer in the Media Arts Environments Research Chair at the Bauhaus University Weimar. Her do-it-yourself electronics workshops are an integral part of her discipline and are presented internationally. Her work in this field was a subject in the Music, Digitization, Mediation: Towards Interdisciplinary Music Studies project based in the Faculty of Music at Oxford University. Darsha is a collaborating facilitator of the Music Makers Hack Lab with Create Digital Music .
Additional information
| Type | lecture |
|---|---|
| Language | English |
More sessions
| 12/27/17 |
We're living in yesterday's future, and it's nothing like the speculations of our authors and film/TV producers. As a working science fiction novelist, I take a professional interest in how we get predictions about the future wrong, and why, so that I can avoid repeating the same mistakes. Science fiction is written by people embedded within a society with expectations and political assumptions that bias us towards looking at the shiny surface of new technologies rather than asking how human ...
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| 12/27/17 |
In recent years, the group Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing. In this talk, Eyal Weizman provides, for the first time, an in-depth introduction to ...
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| 12/27/17 |
My talk explores the interconnected nature of war and culture. It does so through the context of technology and political discourse in contemporary art. With a view from the battle fields of the Middle East, both real and imagined, I attempt to dissect how the political discourse of academia and the art world trickles down to everyday discussions. A simple word such as "assassination" becomes rife with racism when its etymology can be linked to anti-Muslim propaganda that originated during the ...
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| 12/27/17 |
This talk explains how individuals were able to communicate globally in the 1990ies using self-organized networks of BBSsin networks like FIDO and Z-Netz, before individual access to the Internet was possible. It also covers the efforts of non-profit organizations to provide individual access to Internet Mail+News via UUCP and later via IP during that period.
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| 12/27/17 |
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| 12/27/17 |
Artists !Mediengruppe Bitnik talk about recent works around bots and the online ecosystems that has been forming around them. Through the lens of their recent works around algorithms and bots, !Mediengruppe Bitnik offer a look into some of the technologies shaping our day-to-day.
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| 12/28/17 |
This talk considers the visceral relationship one can have towards intangible media, notably sound and network data transmissions. Sarah presents a selection of her work demonstrating these synesthetic relationships, ranging from experiments in bio and fiber arts to interface design and educational tools for demystifying computer networking technology.
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